{"id":20254,"date":"2023-01-08T09:57:13","date_gmt":"2023-01-08T08:57:13","guid":{"rendered":"https:\/\/museoolavide.aedv.es\/elaboracion-de-modelados\/"},"modified":"2023-12-14T08:25:00","modified_gmt":"2023-12-14T07:25:00","slug":"preparation-of-the-figures","status":"publish","type":"page","link":"https:\/\/museoolavide.aedv.es\/en\/preparation-of-the-figures\/","title":{"rendered":"Preparation of the figures"},"content":{"rendered":"\t\t
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Preparation of the figures<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Gone are the days of simple votive offerings\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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In the 19th century, wax continued to be the most used material for the creation of pathological models such as those that make up the Olavide Museum collection, because the waxy material is easy to model, organic, abundant and economical.<\/p>

In addition to wax, other materials were used, such as clay or plaster, the latter for creating molds.<\/p>

Gone are the days of simple votive offerings (small wax figurines), used in ancient times as an offering to the deities in gratitude for healing the sick.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Detail of a negative plaster cast<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tIn general, the manufacture of a wax figure required the cooperation of at least three characters: the patient who suffered from the disease, the doctor who diagnosed and evaluated it, and the sculptor who reproduced it with maximum fidelity.\n\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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The sculptors from the Olavide Museum, Enrique Zof\u00edo, Jos\u00e9 Barta and Rafael L\u00f3pez had a workshop in the San Juan de Dios Hospital itself. During the 84 years from the opening of the museum to its final closure, they continued to create unique and unrivaled work. The technique was also changing, perfecting and significantly simplifying the production times and process.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Preparation of the figures Gone are the days of simple votive offerings In the 19th century, wax continued to be the most used material for the creation of pathological models such as those that make up the Olavide Museum collection, because the waxy material is easy to model, organic, abundant and economical. In addition to […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-20254","page","type-page","status-publish","hentry"],"yoast_head":"\nPreparation of the figures - Museo Olavide<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/museoolavide.aedv.es\/en\/preparation-of-the-figures\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Preparation of the figures - Museo Olavide\" \/>\n<meta property=\"og:description\" content=\"Preparation of the figures Gone are the days of simple votive offerings In the 19th century, wax continued to be the most used material for the creation of pathological models such as those that make up the Olavide Museum collection, because the waxy material is easy to model, organic, abundant and economical. 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