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<oembed><version>1.0</version><provider_name>Museo Olavide</provider_name><provider_url>https://museoolavide.aedv.es/en/</provider_url><author_name>raczy</author_name><author_url>https://museoolavide.aedv.es/en/author/raczy/</author_url><title>Preparation of the figures - Museo Olavide</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="UgtwO9KfZp"&gt;&lt;a href="https://museoolavide.aedv.es/en/preparation-of-the-figures/"&gt;Preparation of the figures&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://museoolavide.aedv.es/en/preparation-of-the-figures/embed/#?secret=UgtwO9KfZp" width="600" height="338" title="&#x201C;Preparation of the figures&#x201D; &#x2014; Museo Olavide" data-secret="UgtwO9KfZp" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script&gt;
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</html><description>Preparation of the figures Gone are the days of simple votive offerings In the 19th century, wax continued to be the most used material for the creation of pathological models such as those that make up the Olavide Museum collection, because the waxy material is easy to model, organic, abundant and economical. In addition to [&hellip;]</description><thumbnail_url>https://museoolavide.aedv.es/wp-content/uploads/2023/01/elaboracion_modelados1.jpeg</thumbnail_url></oembed>
